花嫁の寝言 poster
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花嫁の寝言 (1933)

1933-01-14 · 57m · JA
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This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.

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Reparto principal

Reparto y equipo completo →
Kinuyo TanakaKinuyo TanakaHaruko, brideChōko IidaChōko IidaNeighborTatsuo SaitōTatsuo SaitōSaidaTokuji KobayashiTokuji KobayashiKomuraYumeko AizomeYumeko AizomeNatsuko, dancerTakeshi SakamotoTakeshi SakamotoThiefUreo EgawaUreo EgawaEnatsuKenji OyamaKenji OyamaReikô TaniReikô TaniHiyamaSumiko MizukuboSumiko MizukuboWaitressFusako FujitaFusako FujitaWaitressReikichi KawamuraReikichi KawamuraNeighbor's husband

Movie DNA

Afinidad de géneroComediaDensidad de diálogoComediaRitmoCortaPreferencia de dirección373702Preferencia de reparto366973 · 360075 · 375256Preferencia de paísJp

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Frequently asked questions about 花嫁の寝言

What is 花嫁の寝言 about?

This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.

How long is 花嫁の寝言?

花嫁の寝言 has a runtime of 57 minutes.