Lost Dreams (2003)
Often implicating the viewer in a voyeuristic situation, Dwoskin uses the camera as an extension of the eye - looking and capturing spontaneously as it relates, responds, feels about the other (the model), the eyes being the extension of the 'mind'. In this film, these staged meetings take place in retrospect.
Read the Lost Dreams feature →Movie DNA
Director preference465053Country preferenceUsDecade preference2000
Frequently asked questions about Lost Dreams
What is Lost Dreams about?
Often implicating the viewer in a voyeuristic situation, Dwoskin uses the camera as an extension of the eye - looking and capturing spontaneously as it relates, responds, feels about the other (the model), the eyes being the extension of the 'mind'. In this film, these staged meetings take place in retrospect.