Otello afişi
FilmMüzik

Otello (2001)

2001-01-01 · 2 sa 37 dk · EN

One of the chief pleasures of this live production of Otello from the Berlin Staatsoper Unter den Linden is Daniel Barenboim's conducting. From the opening gale-force blast of storm music, through the crunching and stabbing accompaniment of Iago's "Credo" to the shimmering strings of Desdemona's "Willow Song", he doesn't miss a trick. Everything works at the highest pitch of intensity and the orchestra sticks to his beat like glue. It's a necessary compensation for the shortcomings of the staging: the stolid chorus remains unperturbed by the storm and is directed to perform with unison movements; the acting (apart from Valeri Alexejev) is non-committal, and Alexandre Tarta's video direction somewhat flat-footed. She doesn't manage to make much small-screen sense of an impenetrably murky opening scene, for example, and doesn't seem fond of reaction shots.

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Medya

Başrol oyuncuları

Tüm kadro ve ekip →
Christian FranzChristian FranzOtello (tenor)Emily MageeEmily MageeDesdemona (soprano)Valeri AlexejevValeri AlexejevIago (baritone)Stephan RügamerStephan RügamerCassio (tenor)Andreas SchmidtAndreas SchmidtRoderigo (tenor)Kwangchul YounKwangchul YounLodovico (bass)Gerd WolfGerd WolfMontano (bass)Katharina KammerloherKatharina KammerloherEmilia (mezzo-soprano)

Movie DNA

Tür eğilimiMüzikTempoUzunYönetmen tercihi618234Oyuncu tercihi427730 · 399426 · 553679Ülke tercihiUsDönem tercihi2000

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One of the chief pleasures of this live production of Otello from the Berlin Staatsoper Unter den Linden is Daniel Barenboim's conducting. From the opening gale-force blast of storm music, through the crunching and stabbing accompaniment of Iago's "Credo" to the shimmering strings of Desdemona's "Willow Song", he doesn't miss a trick. Everything works at the highest pitch of intensity and the orchestra sticks to his beat like glue. It's a necessary compensation for the shortcomings of the staging: the stolid chorus remains unperturbed by the storm and is directed to perform with unison movements; the acting (apart from Valeri Alexejev) is non-committal, and Alexandre Tarta's video direction somewhat flat-footed. She doesn't manage to make much small-screen sense of an impenetrably murky opening scene, for example, and doesn't seem fond of reaction shots.

Otello ne kadar sürüyor?

Otello 157 dakika sürüyor.