Uma Noite em 67 afişi

Uma Noite em 67 (2010)

2010-07-30 · 1 sa 25 dk · PT
68%
Puan
8 oy
IMDb ↗

A documentary which shows the greatness in the Festival de Música Popular Brasileira of 1967.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you'd better think again. In the 1970s, such "festivals" were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real "festival" music, but also of a society starting to buck against the yoke of military rule.

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Başrol oyuncuları

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Caetano VelosoCaetano VelosoSelfSérgio RicardoSérgio RicardoHimselfGilberto GilGilberto GilSelfChico BuarqueChico BuarqueSelfEdu LoboEdu LoboHimselfRoberto CarlosRoberto CarlosHimselfRita LeeRita LeeHerselfArnaldo BaptistaArnaldo BaptistaHimselfSolano RibeiroSolano RibeiroHimselfZuza Homem de MelloZuza Homem de MelloHimselfNelson MottaNelson MottaHimself

Movie DNA

Tür eğilimiMüzik · Tarih · BelgeselTempoKısaYönetmen tercihi657237 · 305890Oyuncu tercihi519872 · 427625 · 517228Ülke tercihiBrDönem tercihi2010

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If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you'd better think again. In the 1970s, such "festivals" were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real "festival" music, but also of a society starting to buck against the yoke of military rule.

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