Day Is Done afişi
Film

Day Is Done (2006)

2006-03-12 · 2 sa 49 dk · EN
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Extracurricular Activity Projective Reconstructions

Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing Goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.

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Başrol oyuncuları

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Melissa SillsMelissa SillsGoth Girl/Shy Satanist/Kiss GroupieMax ShippeeMax ShippeeOffice VampireOscar AvalosOscar AvalosHorned ManSuzan AverittSuzan AverittHag Virgin MaryCarole BalkanCarole BalkanMatronHolly BeavonHolly BeavonMay MaenadRyan FoxRyan FoxSick VampireBrendan HuntBrendan HuntThin ThugKyle InglemanKyle InglemanMotivational VampireDerek LoughranDerek LoughranMime 1Dink O'NealDink O'NealJoaquinTom PatrickTom PatrickHeartthrob Vampire

Movie DNA

TempoUzunYönetmen tercihi304945Oyuncu tercihi417102 · 1453016 · 795526Ülke tercihiUsDönem tercihi2000Süre tercihiUzun

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Day Is Done ne hakkında?

Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing Goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.

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